metime

Field Season

Six weeks co-directing a dig in the New Mexico desert with the one archaeologist who once called her theory 'charming' in print.

  • Slow burn
  • Female gaze
  • Rivals
  • Archaeology

Chapter 1 of 3 · 9 min readmetime house story · Written with AIAll characters are adults

The stake was already in the ground when I got there, and it was in the wrong place.

“Move it six meters west,” I said. “You’re sitting on the wash.”

Graham didn’t look up from his notebook. The morning was already hot, and the crew had stopped pretending to sort bags. “The wash is younger than the occupation. If I move it, we lose the edge of the scatter.”

“If you don’t, we spend a week screening gravel.” I took the stake out and walked it. The ground changed under my boots, softer, then firm again. I set the stake where the firm started. “There.”

June had a pencil behind her ear and a clipboard she wasn’t using for artifacts. She made a mark. “Day one. Imani.”

“That’s not a vote,” Graham said.

“It’s a tally,” Rafael said. “Tess started it. We need something to bet coffee on.”

Tess lifted her mug. “I didn’t start it. Malik started it.”

Malik, at the screen, didn’t deny it.

Graham looked at the new stake, then at the old hole, then at me. Dust had already settled in the lines at the corners of his eyes. “We’ll open both. Yours first, since you’re so sure. If the wash is what you say it is, we close it by noon and I put the stake back.”

“Fine.”

By noon my trench had a clean contact and a line of fire-cracked rock sitting exactly where I’d said the living surface would be. Graham stood at the edge with his hands in his pockets and watched me brush the last of the sand off a sherd.

“All right,” he said.

June made a second mark. The crew went back to work louder than before.

Day two I lost, and I lost because he was right.

I’d put the next unit on the rise, chasing the rock line. He wanted the low ground between my trench and the old stake, a place that looked like nothing. We argued it in front of the screens until June flipped the clipboard around so we could see the two columns.

“Low ground,” he said. “The rise is deflated. What’s left up there is what the wind didn’t want.”

“The rise is where people stand when they don’t want their fire in a puddle.”

“There are no puddles in July.”

“There were puddles when they lived here. That’s the argument. That’s the whole argument.”

He didn’t raise his voice. He never did. “Then let the ground answer it. One unit. My call this time, since yours was yesterday.”

I hated that he was fair about it. I hated it more when the unit came down on a packed surface with three sherds in a row, all of them the thin brown ware I’d spent ten years saying didn’t belong to his people. They were lying in a hearth stain with the little stone supports he had drawn in every paper, the kind he said only his people built.

He didn’t smile. He wrote the level, took a photograph, and handed me the brush without comment.

June’s pencil scratched. “Day two. Graham. By being right.”

“You don’t have to narrate it,” I said.

“Someone should,” Tess said. “For the record.”

I drank my coffee standing up, too hot, and didn’t look at him. He was still in the unit, careful with the edge of the stain, and the care made it worse. He had been right about the place. He had not been right about what it meant. I told myself that until the light went.

Week three, the wind came up while we were alone at the far trench.

We saw it as a wall. The near trenches and the cook tent vanished first. Graham had the truck parked on the track, nose toward camp. We made it to the doors with our mouths shut and the grit already in our teeth. He got the engine off so we wouldn’t cook ourselves, and then there was nothing to do but sit.

The truck rocked. Sand ticked against the glass. I found the thermos in the footwell and poured two cups, mine into the lid, his into the cup he kept in the door. Coffee, gone bitter. We drank it anyway.

“Two hours, last time,” he said. “Maybe three.”

“You’ve timed the storms.”

“I’ve sat through four of them. This is five.” He watched the windshield go from brown to no color at all. “You can yell at me if you want. No one will hear it.”

“I don’t want to yell.” I did. I also wanted the trench not to fill. “I want the unit not to be a dune by the time we get back.”

“We covered it.”

“You covered it. I said the plastic would last.”

“It won’t.” A pause. “You were right about the rise, by the way. Not for the reason you thought. There’s a second surface under the deflation. I should have said so yesterday.”

“June will be unbearable.”

“June is already unbearable. It’s why I hired her.”

I looked at him. The funny had landed before I was ready for it, dry as the air had been an hour ago. He watched the side mirror, which showed him nothing, and kept his hands still on his knees.

“Why are you like this?” I said.

“Specific.”

“Careful. Past the point where it helps. You measure twice and then you measure the measuring.”

He was quiet long enough that I thought he wouldn’t answer. The sand kept ticking.

“My third season,” he said. “Not this site. A floor I was sure was a house. I cut through it to get to the layer I wanted. It wasn’t a house. It was the only intact surface in the block, and I put a trench through the middle of it because I was in a hurry to be first. The correction ran longer than the paper. I don’t tell that story. I’m telling you because you asked, and because you’re going to keep thinking I’m slow for sport.”

I turned the lid in my hands. The coffee had gone cold.

“I don’t think you’re slow for sport,” I said. “I think you’re slow because you like being the one who doesn’t have to take it back.”

“That’s not better.”

“No.” The wind shoved the truck and let it go. “I published a sequence once on six sherds and a hunch. Everyone waited for the correction. It didn’t come. The next season the ground backed me up. If I’d waited to be sure, someone else would have written it wrong and we’d still be digging their trench.”

“So you gamble.”

“I decide.”

He nodded, as if that were data. Then he said, “You remember the review.”

It wasn’t a question. I hadn’t meant to give it away. My face had done it, or the way I’d gone still.

“Every word,” I said. “You wrote that the ceramic argument was elegant and the settlement model was a guess in good clothes. And you called the whole thing charming. Charming. Like I’d brought a story to a dig.”

He closed his eyes for a second. “I regretted that sentence before the issue was out.”

“You didn’t pull it.”

“I couldn’t. I’d already told the truth about the guess. I put a word in front of it that made the truth sound like an insult. That part wasn’t the truth.”

The storm thinned at the edges and thickened again. We sat with the cold coffee and the bad word between us, and he made one more dry remark about June’s clipboard surviving the apocalypse, and I laughed once, surprised at myself. When the air cleared we got out without touching. The plastic over the unit had held. I didn’t tell him he had been right about that too.

Week five we were both in the same trench when the ground ended the argument and started a worse one.

I had the west half. He had the east. The hearth stain I’d been brushing met a line of post supports he’d been drawing, and in the middle, in a dip no bigger than a bowl, sat a restorable jar of my thin brown ware, set into his kind of hearth as if someone had meant it to live there.

I sat back on my heels. He did the same. The crew was at the screens, far enough that they couldn’t see our faces.

“Half,” I said.

“Half,” he said.

“I hate it.”

“So do I.”

We looked at the jar. It was ugly and whole and exactly the wrong shape for a clean victory. A laugh came out of me before I could stop it, short and helpless. He broke a second later, head down, one hand braced on his knee, laughing like the trench had told a joke at both of us. We laughed until Tess shouted over to ask if anyone was hurt. Neither of us answered. We covered the jar, took the photographs, and didn’t speak on the walk back.

That night the cook tent was a square of light and then it wasn’t. The crew went to their trailers. I stayed out with a mug of cocoa because the air had dropped and because I wasn’t ready to be done looking at the day. The sky was stupid with stars. More than I’d ever had over me at once, and no moon to thin them.

Graham came out with his own mug. Water, by the smell of nothing. He stood beside me.

“I need to say it properly,” he said. “Not in a truck with sand in my teeth.”

“Say it, then.”

“I called your work charming. I meant it was good, and I was afraid to write good, because I didn’t want to hand you the site in print. The word was small on purpose. It was a cheap way to win a paragraph. I’ve been sorry for ten years. I’m sorry now. You were never charming. You were right often enough to scare me, and I dressed that up as taste.”

The cocoa was sweet and too hot. I let it burn my tongue before I answered.

“It took you ten years.”

“It took me ten years to be sure,” he said. “I didn’t want to apologize for a thing I might still mean. I don’t mean it. I haven’t for a long time.”

I nodded. That was all I had. He didn’t push it. We finished our drinks under all those stars and went to separate trailers, and I lay awake anyway.

The last night of the season the crew was asleep and the trenches were covered and the pickup sat dark by the cook tent. I walked out to the edge of the unit where the jar had been, because I wanted to see the place without a clipboard in it. He was already there. Of course he was.

“Can’t sleep,” he said.

“No.”

The plastic over the trench ticked in a small wind. Camp was four dark shapes and one solar light left on by mistake. He had his hands in his jacket pockets. I could see the line of his mouth and not much else.

“Imani.”

I didn’t let him finish. I had never once let him go first, not in print and not in a trench, and I wasn’t going to start at the end of a season with my name in his mouth like a question. I stepped in and kissed him.

He went still for half a breath. Then his hands came up to my face, warm, careful even now, and he kissed me back. I got one hand in his hair. The other found his wrist and stayed there, his pulse under my thumb, his fingers closing over mine and holding. He made a low sound and pulled me closer by the hand. My free hand stayed at his jaw. His mouth was warmer than the night and he tasted like the tea he’d had at dinner, nothing else. We kissed until I forgot the trench edge and remembered it again, because one of us had to.

I drew back first. His hands didn’t leave my face until I let them.

“There’s another season next year,” he said. His voice was rough. “The museum wrote this afternoon. Same site. Same terms. They want both of us.”

The stars were still ridiculous. My mouth felt used, in the best way, and I was angry at how much I wanted him to say the rest without me having to steer it. I didn’t steer it. I only set the bar where it belonged.

“Ask me properly,” I said.

He looked at me. His hand found my wrist again to have it. He took a breath like a man about to put a stake in the ground and willing, finally, to be wrong about the place.

“Imani,” he said, “would you—”

What happens next?

Chapters 2 and 3 are explicit and free with an account (18+, US only; some states ask for a quick ID check). After that, one chapter written your way is on us.

Or write it yourselfAfter chapter 3, tell metime what happens and it writes the next chapter around you. Your first one is free.

About this story

What is Field Season about?

Six weeks co-directing a dig in the New Mexico desert with the one archaeologist who once called her theory 'charming' in print. Themes: slow burn, female gaze, rivals.

Is Field Season free to read?

Chapter 1 is on this page, free, with no account. Chapters 2 and 3 are explicit and free with an account (18+, US only; some states ask for a quick ID check). After that, one chapter written your way is on us.

Can I change what happens in Field Season?

Yes. After chapter 1 you pick how it goes: His trailer, the last night, Next season or She asks properly. After chapter 3 you can tell metime what happens, in your own words, and it writes the next chapter around you.

Who wrote Field Season?

It was written with AI at metime. Every character is an adult.

More in erotica for women.

The terms, explained: slow burn.

Next in erotica for women: Knot Theory. Her girlfriend studies knots on paper. Tamsin ties them for a living. One rainy Sunday, the mathematician asks for a demonstration.

Written with AI at metime. Every character is an adult.