Tenth Year
For ten years their marriage has run on one rule: at home, Ruth decides. For their anniversary, Ruth has decided something new.
The gravel popped under the tires as Ruth turned in at the orchard. Elliot sat with the thermos between his boots and watched the trees go past in rows, bare gray branches already, a few apples still hanging red against the sky. October light sat flat and bright on the grass.
“We’re early,” he said.
“I wanted the stove lit before we did anything else.” Ruth pulled up beside the farmhouse and cut the engine. The quiet that followed was the kind you only got out here, wind in the orchard and nothing else. She looked at him. “Coffee first. Then I’ll tell you how the weekend goes.”
He smiled at that, the way he always did when she set the order of a thing. “All right.”
They carried the bags in. The kitchen was cold, the woodstove dark. Ruth knelt and laid the kindling the way she liked it, small sticks first, and Elliot filled the kettle without being asked. By the time the stove had caught, the room smelled of applewood. She poured two mugs and set his across the table from her own, then sat with her hands around the warm ceramic and waited until he was sitting too.
“Friday through Sunday,” she said. “Same as we do at home. I decide. You tell me if you want to stop, and we stop.”
“I know.” He was already smiling.
“This weekend, three things before tonight.” She held up one finger. “You’ll pick apples until noon. The McIntosh row, the one by the stone wall. A bushel is enough. I’ll be in the kitchen.”
“Yes.”
A second finger. “You won’t ask me what I’ve planned. Not once. Not in a joke, not sideways.”
His smile went smaller, and warmer. “Yes.”
A third. “At nine you’ll be upstairs. Not before. I’ll come up when I’m ready.”
“Yes,” he said again, and this time he laughed a little under it. “You’ve been thinking about this.”
“Months.” She drank her coffee. It was strong, the way she made it on the road so it would still taste like something when they got here. “That’s all you get for now.”
He turned the mug in his hands and didn’t push. That was one of the things she liked best about him: he could sit with a want and not spend it.
They went out after the mugs were empty. The air had a bite to it. Ruth pulled her coat closed and walked the McIntosh row with him anyway, because she wanted to see his face in this light before she sent him to work. Frost had burned the grass white between the trees. Elliot set the bushel basket down and reached for a low branch.
“These are good,” he said. “A little soft on one side.”
“We’ll use those for the cake.”
He dropped two into the basket. For a while there was only the sound of apples coming off the twigs and the creak of the basket handle when he shifted it. Then he glanced over, gentle about it.
“Is it something we’ve talked about?”
Ruth looked at him. The cold had put color in his face. She felt the answer come up easy, and she liked the shape of it. “No.”
“That’s the once,” he said, and he was smiling, caught.
“That’s the once.” She stepped in close enough that he had to tip his head to keep her eyes, and she took an apple out of his hand before he could bag it. Her fingers closed over his for a second, warm against the cold fruit. “Pick.”
He picked.
They worked down the row. A blue jay scolded them from the wall and then gave up. Elliot tried again near the end of the basket, quieter this time, almost to the leaves.
“You’ve had a look on you since we turned off the highway. I thought if I guessed close, you might—”
“No.” She said it the same way she said it at home when she meant it, calm and finished. The pleasure of it sat plain in her chest. She didn’t hide it. “You had your question. I liked telling you no the first time. I like it better now.”
He laughed, short and real, and shook his head at the grass. “Fair.”
They stood a minute with the basket between them, breath showing. Ruth turned an apple in her palm and thought of the night he’d asked her, ten years back, in their own kitchen, his hands flat on the table so she could see he wasn’t hiding them.
“You remember how you asked me,” she said.
“I remember I couldn’t get the sentence out.” He rubbed a thumb over a bruise on one of the apples and set it aside for the cake. “I started three times. You waited. I thought you were going to tell me I’d ruined it.”
“You were gray around the mouth.”
“I was terrified.” He said it, which was how he told the truth when the truth had already come out all right. “I’d wanted it for so long I couldn’t hear myself say it. At home, you decide. I say if I want out. That was the whole of it, and I made it sound like a speech.”
“You made it sound like a man asking for the thing he actually wanted.” Ruth set her apple in the basket. “I told you I’d give it a week.”
“You did.” He looked at her, quick to the laugh that lived under most of what he said to her. “Longest week of my life. I kept waiting for you to hand it back.”
“I liked it by Wednesday.” She started back toward the house, and he came with the basket, the handle creaking. “By Sunday I wasn’t giving it back. You know that.”
“I know it every time you tell me no and mean it.” He shifted the basket to his other hand. “Ten years. I still like the way you say it.”
“Good,” she said. “Keep the apples coming till noon. I’ll be in the kitchen.”
He stayed in the row. She walked in without looking back, which was also a kind of answer, and she heard him start to whistle once the door had shut.
By evening the stove had the kitchen warm enough that the windows fogged at the edges. Ruth had the cake out of the pan and cooling on the board, brown at the crust, the soft apples sunk into it. Coffee was on again. Elliot came in from washing his hands at the sink in the mudroom, sleeves pushed up, and stopped when he saw the table set for two and nothing else. No book. No work. Just plates, forks, and the cake.
“Noon was a long time ago,” he said.
“You picked past it. I let you.” She cut two slices and poured the coffee. “Sit.”
He sat. They ate. The cake was good, tart under the sugar, and he said so. She watched him more than she ate. The light had gone gold and then blue at the windows. Upstairs, under the eaves, the bedroom was already turned down. She had done that while he was still in the trees. She had set the small bag on the chair where he would see it when she wanted him to see it, and not before.
When his plate was mostly crumbs, she set her fork down.
“Tonight,” she said.
He went still in the way she knew, the way he went still when she put a hand on him and he decided, all at once, to be exactly where she had put him. His coffee sat untouched. He waited.
“I’ve brought a harness,” she said. “And what goes with it. I want you on the bed, and I want to take you with it. Slowly. I’ll tell you how. If you want to stop, you say so, and we stop. If you don’t, we do this because I decided we would, and because you want it.”
The kitchen was quiet except for the stove ticking as a log settled. Elliot’s hands stayed on the table. He didn’t reach for her. He looked at the cake board, then at her, and his face had gone open in a way she didn’t see often, even after ten years.
“I’ve hoped you might,” he said. His voice was low and plain. “For years. I never asked. It had to be you. If I asked, it would have been me arranging it, and that wasn’t the thing I wanted.”
“I know.” She let that sit. “I’ve known for a while. The way you go quiet when we get close to it and then let me turn us somewhere else. You were waiting for me to pick it up.”
“Yes.”
“I’m picking it up.” She stood. The chair legs scraped once on the old floor. She came around the table, and he turned in his seat to face her, already tipping his face up, already hers in the way he held still for the next thing.
She kissed him. Slow, the way she had been saving all day. His mouth was warm from the coffee. He kissed her back at once, a sound caught in his throat, and his hand came up to her hair, careful, asking in the only way she wanted asking done. She took his wrist and brought it down and held it so he felt her decide the pace. Her other hand spread flat on his chest. Under her palm his heart was going hard. He made a small helpless noise into her mouth and didn’t chase the kiss when she eased it. His free hand found hers where it rested on him, and he covered it, holding her there.
She drew back enough to see him. His mouth was red. He was breathing like he’d been out in the rows.
“It’s eight-fifty,” she said.
He nodded. He stood when she stepped back, and he didn’t reach for the plates. She would deal with those later, or she wouldn’t. He crossed the kitchen and started up the farmhouse stairs, one hand on the rail. The boards creaked under him the way they always had.
Ruth turned the stove damper down. She dried her hands on the towel by the sink. Then she followed him, unhurried, up into the dark of the stairwell, toward the room under the eaves where the bag waited on the chair and he would be waiting too.
What happens next?
Pick up where the trailer left off. Read chapter 1 first
Chapters 2 and 3 are explicit and free with an account (18+, US only; some states ask for a quick ID check). After that, one chapter written your way is on us.
About this story
What is Tenth Year about?
For ten years their marriage has run on one rule: at home, Ruth decides. For their anniversary, Ruth has decided something new. Themes: pegging, femdom, female led.
Is Tenth Year free to read?
Chapter 1 is on this page, free, with no account. Chapters 2 and 3 are explicit and free with an account (18+, US only; some states ask for a quick ID check). After that, one chapter written your way is on us.
Can I change what happens in Tenth Year?
Yes. After chapter 1 you pick how it goes: Upstairs at nine, She makes him ask for it or Tomorrow morning instead. After chapter 3 you can tell metime what happens, in your own words, and it writes the next chapter around you.
Who wrote Tenth Year?
It was written with AI at metime. Every character is an adult.
More in femdom stories, pegging stories, erotica for couples.
The terms, explained: pegging, femdom.
Next in femdom stories: Her Turn. Six months in, Imogen has decided it's time to tell Sam what she's into. She has a plan, a list, and a very good sense of humor about it.
Written with AI at metime. Every character is an adult.